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Brecht In Practice
  • Home
  • Theory
    • Brecht: A Brief Overview
    • Aims of the theory
    • Fabel
    • Arrangement
    • Gestus
    • Haltung
    • Verfremdung
    • Verfremdung or Verfremdungseffekt?
    • The ‘Not/But’
    • Figures, Not Characters
    • Politics
    • Making Theatre Politically
    • Realism
    • Dialectics and Contradictions
    • Realistic Details
    • Theatre Of Showing
    • Reality
    • Gestic Language
    • Inductive Rehearsal
    • Historicisation
    • Theory and Practice
    • The Brechtian Method
    • The Meaning of ‘Brechtian’
  • Productions
    • Modelbook
    • Closer
    • The Crucible
  • Blog
  • Downloads
  • Links
  • Credits
Brecht In Practice
  • Home
  • Theory
    • Brecht: A Brief Overview
    • Aims of the theory
    • Fabel
    • Arrangement
    • Gestus
    • Haltung
    • Verfremdung
    • Verfremdung or Verfremdungseffekt?
    • The ‘Not/But’
    • Figures, Not Characters
    • Politics
    • Making Theatre Politically
    • Realism
    • Dialectics and Contradictions
    • Realistic Details
    • Theatre Of Showing
    • Reality
    • Gestic Language
    • Inductive Rehearsal
    • Historicisation
    • Theory and Practice
    • The Brechtian Method
    • The Meaning of ‘Brechtian’
  • Productions
    • Modelbook
    • Closer
    • The Crucible
  • Blog
  • Downloads
  • Links
  • Credits
  • More
    • Home
    • Theory
      • Brecht: A Brief Overview
      • Aims of the theory
      • Fabel
      • Arrangement
      • Gestus
      • Haltung
      • Verfremdung
      • Verfremdung or Verfremdungseffekt?
      • The ‘Not/But’
      • Figures, Not Characters
      • Politics
      • Making Theatre Politically
      • Realism
      • Dialectics and Contradictions
      • Realistic Details
      • Theatre Of Showing
      • Reality
      • Gestic Language
      • Inductive Rehearsal
      • Historicisation
      • Theory and Practice
      • The Brechtian Method
      • The Meaning of ‘Brechtian’
    • Productions
      • Modelbook
      • Closer
      • The Crucible
    • Blog
    • Downloads
    • Links
    • Credits

The Actor's Take

Closer

  • Scene-by-scene Guides

  • Production Details

  • The Actor’s Take

  • Why Closer?

  • An Emphasis On Process

  • A Stylized Production?

  • Directing Strategies for Closer

  • The Play’s Figures (not Characters)

  • Difficulties establishing a Fabel

  • Production Design

  • Politics of the Production

  • Use of music

  • Treatment of Stage Directions

  • Closer Credits

  • Production Poster

BRECHT IN PRACTICE © Prof. David Barnett | All Rights Reserved

David Barnett

Professor of Theatre

University of York

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